On Fat Joe‘s sizzling sophomore album Jealous One’s Envy, there was an INSANE lyricist named Big Punisher featured, and people were instantly like “Who is this cat?” We then hear him on the big time Beatnuts hit “Off The Books”, and once again we’re like, “This dude is sick, who IS he?” This album still remains a classic and, especially during these days and times, one of the most important albums in all of Hip Hop.
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Other jewels like “They Schools”, “Police State”, and “Happiness” were stellar tracks as well, but let’s get free never really got off the ground during this period of materialism and being show offs. We were all the way open with the ultra-bouncy “Hip Hop” and the seductive “Mind Sex”. This much buzz led to the hype of their debut, let’s get free, which stands as one of Hip Hop’s most prized, yet highly underrated pieces of work ever.
The cats of dead prez, comprised of m-1 and stic.man, first stepped on the scene with “Score” on the aforementioned Soul In The Hole soundtrack, then followed that up with an incredible cut called “Selling’ D.O.P.E.” on the Slam soundtrack. Two Brooklyners, by way of Florida, stepped on the scene with an intent of bringing back Black consciousness with Public Enemy/NWA messages embedded within the themes. It was the monstrous crossover smash “Quiet Storm” that officially put Hav and P in the double platinum company. Tracks like “Nobody Likes Me”, “Mobb Coming Thru”, and “Power Rap” were scrapped, but tracks like the Nas-assisted “It’s Mine” and “Can’t Fuck With” featuring Raekwon were the highly suitable replacements. The result of the reworking was still that of a potent third album by any means. So much so that the original pressing of the album was so massively bootlegged that the album had to be started almost completely from scratch. Their third album, Murda Muzik, was among the most anticipated album during the entire late nineties.
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Plus the fact that anything P was on as a lyricist was instant fire, made these two the go-to duo in NYC. This is the duo that put out one of Hip Hop’s most incredible gritty masterpieces with The Infamous and then followed that up with an album that on many levels is every bit as hard with Hell On Earth. There wasn’t a hotter duo in NYC Hip Hop than Hav and P.
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While the crew has experienced devastating losses with the deaths from members Koopsta and Lord Infamous, along with the professional departure of Gangsta Boo, the Mafia’s legacy was officially stamped with this very important release. The album was highlighted by the unforgettable crossover single “Sippin’ On Some Syrup” (with UGK), but also contained signature Three 6 cuts like “Who Run It”, “Tongue Ring”, and “I Get High”. Once Relativity Records folded they got on with Loud, and they created their huge crossover album When The Smoke Clears, which brought them their first platinum plaque. Originally known as Triple 6 Mafia, the crew of DJ Paul, Juicy J, Koopsta Knicca, Lord Infamous, Crunchy Black, and Gangsta Boo had a very strong underground following, especially with the success of Chapter 2: World Domination, which spawned the classic “Tear Da Club Up”. One of the true pioneers of the Memphis Hip Hop sound was the Three 6 Mafia crew.
Three 6 Mafia - When The Smoke Clears: Sixty-Six, Sixty-One (2000)
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